The atmosphere on sets are professional and structured, with strict rules such as no phones allowed and not initiating contact with the main cast

Former Miss Sri Lanka, Ornella Gunasekera, recently caused a social media sensation when photos surfaced of her appearing as an extra in Season 3 of “Bridgerton.” Currently residing in the UK, Ornella continues her modelling career and has recently expanded her work to include roles as a supporting artiste in various commercials. Her appearance in the popular TV series “Bridgerton” marks her debut in a high-profile project. In an exclusive interview with DM Life, Ornella shares candid insights into her experience on the set of “Bridgerton.”

 

First and foremost, I thank God, my family, and our Sri Lankan community for their support. I still find it hard to believe this opportunity came my way. In 2023, I took a short acting course in London, but I don’t have any formal training. My closest connection to acting is that my mother named me after the Italian actress Ornella Muti! It is important to distinguish between actors and Supporting Artistes (SA’s/extras) – an SA does not need prior acting experience, but being responsible, punctual, and patient is essential. I want to acknowledge and appreciate our Sri Lankan actors and actresses worldwide who have studied, trained, and worked in TV, film, and Broadway. As for me, I currently work full-time as a corporate receptionist, but this experience as a Supporting Artiste has been an exciting addition to my journey. One of the best examples of a Supporting Artiste would be what Phoebe did in F.R.I.E.N.D.S. 

 

Landing a role as an extra in London is quite competitive, but this city offers plenty of opportunities. There are always casting calls, auditions, agents seeking talent, theatre productions, and events looking for both experienced and inexperienced individuals with patience and discipline. I saw an open casting call online and attended the event to sign up, never imagining where it would lead! When I started working as a Supporting Artiste in 2023, I quickly realized how much patience and standby time is involved. Often, you find yourself waiting in full hair, makeup, and costume, ready to go at a moment’s notice in all sorts of weather conditions. It’s an eye-opening experience, but all part of the job in this dynamic industry. The jobs are spread out, so unless you have a secondary job, it can be tough to live in London. Last year, I worked at a hotel on a casual contract, which gave me the time and flexibility to commit to SA work, but I have since moved to a permanent role. I was also an extra in England’s national Christmas commercial for McDonald’s in 2023. 

 

You never really know what to expect until you arrive on set. Before filming, there are usually fittings, which often take place outside of London. Filming can start as early as 3 am, and I’ve also experienced all-night shoots that begin in the afternoon and wrap up around 7 am the next day! Despite the long hours, I actually enjoy these extended shoots, though filming “summer scenes” in “summer clothes” during -5°C winter conditions can be challenging. The dynamics on set vary with each production; some days we might have up to 400 extras, while on others there might be 20 or fewer. I also learned new terms and phrases that production crew use on set. 

 

The atmosphere on sets are professional and structured, with strict rules such as no phones allowed and not initiating contact with the main cast. This made it especially incredible when one morning, Jonathan Bailey (Anthony Bridgerton) said “Good Morning” on his way to get coffee. Star-struck, I shyly responded with a “good morning” back. Generally, extras are expected to stay put until called upon and follow instructions precisely. While the main cast rarely interacted with the extras, it was mesmerizing to watch them fully immerse themselves in their roles, focusing intently on their lines and characters. 

 

Production companies gain access to spaces that are not usually accessible to the general public, this meant I was able to experience these places in a special way. Just being on a set of this calibre in any capacity was something of a marvel to me. 

 

Q:What specific scenes or episodes did you appear in? 

Season 3, part two, episodes 6 and 7... The scenes shot at the Church and the wedding party following the wedding of Polin. If you pay close attention to the first 30 seconds of Season 3, Episode 6... You will see me from the back walking off to the right with my on-screen “husband,” at a marketplace. 

 

Responsibilities are outlined and informed of before filming. During filming, we must follow directions from the assistant directors, maintain quietness on set, listen attentively to instructions, and show respect to everyone involved. Despite the long hours, I approached my role with dedication, honouring even the smallest part I played in the production process. 

 

Everything is on a need-to-know basis and you are shared only what is expected of you. Most of it involves quietly miming or mouthing words and looking lively in the background unless asked otherwise. 

 

I could not believe my eyes when I first saw the exceptional detail, energy, and effort taken for each piece and ensemble. Meticulous. Some may even say... flawless. Absolutely beautiful pieces from the costumes to the bags, gloves, accessories, jewellery... 

 

It takes several hours with great attention to detail. This process also happens many times throughout the day.

 

One of the main challenges of working as an extra is the significant amount of sitting and waiting around. While I’m accustomed to this from my work as a model, my past spinal fusion surgeries to correct spondylolisthesis, challenge me. I’ve lost the natural ‘S’ curve of my spine, leading to postural stress when I sit for long periods. This can be quite painful and exhausts me much quicker than standing all day would. 

 

I learned the importance of keeping an open heart, mind, and vision because you never know what opportunities might come your way. Additionally, I gained a new appreciation for the work of extras and the meticulous attention to detail in TV and movie productions. These small details truly elevate a production from ordinary to extraordinary. I was also reminded of how wonderfully Sri Lankans love to celebrate the success of their countrymen and really encourage this positive, healthy culture across all industries. I also gained a greater appreciation for the imaginative and talented writers who create shows like this. I’d love to see the historical story of “Mount Lavinia” brought to life by a Sri Lankan production company. 

 

We are not allowed to interact with main cast, but if they engage, we may respond. I’ve shared some moments throughout this interview. Lady Danbury (Adjoa Andoh) smiled with me on one of the days – this was magical because I really admire her character in the show.

 

It is two different worlds – Actors/Actresses and Supporting Artistes. In fact, I was advised that serious actors/actresses don’t take up any SA work. Since SA work was a hobby for me, I was just happy to even be considered. I would proudly hold a cardboard cut-out of a tree just for the experience.

 

The episodes I appeared in were released just a few days ago, so it’s still early to gauge the full impact. However, I’m grateful for the overwhelming warmth and joy that Sri Lanka has shown in response. I’d love to work with a Sri Lankan team someday. 

 

I have always trained my mind to never expect anything in life but to appreciate whatever happens and allow life to surprise you. Life can change in an instant. Keep your head down, do your best, set your ego aside, be punctual, responsible, accountable, and teachable; these traits will make you memorable. 

 

Embarrassing moments find me daily, and one of the most memorable happened on set. I have IBS, which means my stomach can be quite vocal at the most inconvenient times – whether well-fed, half-fed, or empty. It is the worst when I have consumed something I cannot digest or intolerant to... During a scene alongside Kate Sharma and Anthony at the wedding party, my stomach decided to perform a symphony of embarrassing sounds. To make matters worse, the microphone was positioned right above us. The director had to pause filming as Anthony (Jonathan Bailey) burst into laughter, prompting everyone to follow suit. It was an absolutely mortifying moment, but at least it brought some unexpected humour to the set! 

The absolute extravagance and attention to detail were sublime. Many hands and much preparation go into a production but the commitment of something of this calibre was truly exceptional.